Floriography | The Victorian Language of Flowers (2024)

In the Victorian era, flowers were used to send silent messages. If a flower was handed with the right hand it meant ‘yes’, while the left hand meant ‘no’. Revive the tradition with meaningful gifts, each imbued with sentiment.

What is floriography?

Floriography is the 'language of flowers' and has been practised for thousands of years across different cultures. It was popularised in Britain during the Victorian era when learning the symbolism behind each flower became a popular hobby.

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Messages conveyed with flowers

"I hope we become friends"
Periwinkle and acacia were given to symbolise blossoming friendships.

"I will miss you"
Forget-me-nots were sent to a loved one who was moving away, along with goldenrod for encouragement.

"I appreciate you"
Daffodils were given for regard and lavender for devotion and virtue.

Floriography | The Victorian Language of Flowers (5)Buttercups are associated with humility and the sweetness of childhood

The colour of flowers

We adore flowers for their bright and colourful petals. But did you know that each colour has a special meaning? If you are sending a bouquet you can choose coloured flowers to express how you feel.

Red flowers
Passion, love and affection

Pink flowers
Grace, joy and innocence

Yellow flowers
Light-heartedness, happiness and friendship

White flowers
Purity, humility and innocence

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Flowers have held significant meanings and conveyed coded messages for centuries, but the Victorian era provided particular opportunities for floral communication. Social convention imposed severe restrictions on what could be expressed directly, so people used flowers to flirt and send secret messages. ‘Le Langage des Fleurs’, the first dictionary to explain the meanings behind various flowers, was published in 1819 in Paris, and introduced a code which became extremely popular with the middle and upper classes of Victorian society, who were bound by strict etiquette.

The symbolic meaning of each flower was often provided by its nature. For example, the mimosa symbolised chastity because its leaves close up at night or when touched, matching the behaviour of a chaste person.

Popular floral meanings in the Victorian era included honeysuckle for the sweetness and bonds of love, and roses representing love – a symbol still understood today. Messages were traditionally conveyed via bouquets of herbs and flowers called ‘tussie-mussies’; the receiver would respond by holding the bouquet in a certain way to display acceptance, acknowledgement and approval.

The language of flowers, also known as floriography, has impacted the arts since the Victorian era. For instance, John Steinbeck centred his short story ‘The Chrysanthemums’ around the symbolism of these flowers, which are often seen to represent optimism and lost love.

Floriography has also played its part on occasions such as the royal wedding between Kate Middleton and Prince William, when the bride’s bouquet held very special and important meanings: lily of the valley to symbolise trustworthiness and the return of happiness; sweet William to represent gallantry (as well as sharing the name of her husband-to-be); hyacinth to show the constancy of love; and finally myrtle, representing love and marriage, which has been part of royal wedding tradition since Queen Victoria’s reign, with sprigs of myrtle grown in the garden at Osborne, the former royal residence on the Isle of Wight, included in the bridal bouquet.

Floriography | The Victorian Language of Flowers (2024)

FAQs

Floriography | The Victorian Language of Flowers? ›

What is floriography? Floriography is the 'language of flowers' and has been practised for thousands of years across different cultures. It was popularised in Britain during the Victorian era when learning the symbolism behind each flower became a popular hobby.

What is the Victorian floral code? ›

The appearance or behavior of plants and flowers often influenced their coded meanings. Plants sensitive to touch represented chastity, whereas the deep red rose symbolized the potency of romantic love. Pink roses were less intense than red, white suggested virtue, and yellow meant friendship.

What is Floriography an illustrated guide to the Victorian language of flowers analysis? ›

Floriography is a full-color guide to the historical uses and secret meanings behind an impressive array of flowers and herbs. The book explores the coded significances associated with various blooms, from flowers for a lover to flowers for an enemy.

What is the Victorian flower language gratitude? ›

Take the sweet pea, a summertime flower that comes in an array of colours, but whose meaning remains the same: as a token of thanks. In the Victorian era, sweet peas were the go-to gift when thanking a host for a wonderful time, a gratitude that could be expressed even further by pairing it with other stems.

What is the flower of love in Floriography? ›

Q: What is the flower of love in floriography? A: In floriography, the red rose is widely recognized as the flower of love. Its deep red colour symbolises passionate love and affection, making it a classic choice for expressing romantic emotions.

What is the secret Victorian language of flowers? ›

What is floriography? Floriography is the 'language of flowers' and has been practised for thousands of years across different cultures. It was popularised in Britain during the Victorian era when learning the symbolism behind each flower became a popular hobby.

What is Floriography The Secret language of Victorian Florals? ›

Floriography - the language of flowers - is the ancient art of encoding hidden messages in the type, colour and arrangement of plants, allowing individuals to express emotions and sentiments that they may not be able to articulate through words.

What is the Victorian flower language for love? ›

A red rose was used to openly express feelings of love, while a red tulip was a confession of love. The calla lily was interpreted to mean “magnificent beauty,” and a clover said, “think of me.”

What was the Victorian flower etiquette? ›

Tussie-Mussies – During the Victorian Era, flowers were combined to signify messages. Small tightly composed hand-held bouquets known as tussie-mussies or a nosegay was given as gifts and to acknowledge special occasions. The way a bouquet was held often indicated acceptance, acknowledgement, or approval.

What does Forget Me Nots mean in Victorian times? ›

For the Victorians, Forget Me Nots were a symbol of remembrance for those who have passed away but more commonly as a symbol of true love and devotion. It was much more rarely used in remembrance and more for people to declare their love, which makes Forget Me Not jewellery the perfect gift for someone you truly love.

What does the lotus flower mean in Floriography? ›

Across cultures, the lotus flower symbolizes purity, strength, resilience, and rebirth, representing the transcendence of spirit over worldly matter. It is a sacred symbol in Hinduism and Buddhism, associated with the womb of the universe and the overcoming of adversity while maintaining the purity of spirit.

What does lavender mean in floriography? ›

Lavender flowers represent purity, silence, devotion, serenity, grace, and calmness. Purple is the color of royalty and speaks of elegance, refinement, and luxury, too.

What does the azalea mean in Floriography? ›

Azalea. Take care of yourself, Temperance, Fragile, Chinese symbol of womanhood.

What is the Victorian flower symbol? ›

Victorian flower meanings

Daisies: Often symbolized innocence and purity. Roses: Symbolized love (as they do today) Crocuses: Meant youth and cheerfulness. Violets: Symbolized faithfulness and modesty.

What was the floral design in the Victorian era? ›

Victorian Period (1837-1901).

It often comprised of overflowing flowers and foliage. Circular shapes became the standard. They also acclaimed roses as Europe's ideal. Lilies, tulips, and other common garden flowers complemented the center roses.

What is the Victorian flower language for forgiveness? ›

Purple hyacinth, to ask for forgiveness.

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